The Pitch: Billi (Awkwafina), a Chinese language-American lady dwelling in New York Metropolis, feels disconnected from her prolonged household in China, save for her occasional cellphone name from her spry, spirited grandmother, Nai Nai (Shuzhen Zhao). However she quickly learns that Nai Nai is dying of terminal lung most cancers — a reality the remainder of the household has determined to not inform her for her personal good. As an alternative, they’re pushing Billi’s cousin Hao Hao (Chen Han) to marry his Japanese girlfriend of three months, Aiko (Aoi Mizuhara), as a pretense to deliver the household collectively to see Nai Nai one final time.
In opposition to the needs of her mother and father (Tzi Ma and Diana Lin), Billi flies again to China to hitch them, her distaste for her household’s little, white lie outweighed by her want to be there for her household and rediscover the nation she and her household left behind as a baby. As she reconnects along with her household, her tradition, and her grandmother, Billi swims in an uneasy sea of identification, someplace between Chinese language and American, and struggles to determine the place she matches in.
“Based mostly on an Precise Lie”: These phrases usher in writer-director Lulu Wang’s characteristic debut, a riveting extrapolation of her personal real-life story of well-meaning deception in direction of her terminally unwell grandmother (and the topic of a widely known This American Life phase). Like Wang, Billi is a Chinese language-American lady acclimated to American values of individuality and honesty, which conflict with the modesty and familial responsibility anticipated of Chinese language households. And but, fairly than land on one dominant perspective, Wang permits her movie to discover the truths that lie someplace within the center.
The prospect of mendacity to your dying relative to forge extra snug end-of-life expertise actually sounds a curious cultural observe, significantly for Billi, who wonders out loud whether or not Nai Nai may profit from realizing her situation. Nevertheless it’s simply the best way issues are carried out in lots of elements of China. It might be a lie, however, as one well-meaning physician factors out, “it’s a good lie.” What’s extra, it’s hardly a egocentric one; retaining the key is a burden to everybody in her household, one they stoically bear.
“You suppose one’s life belongs to oneself,” Billi’s uncle Haibin (Jiang Yongbo) tells her. “However that’s the distinction between the East and the West. Within the East, an individual’s life is an element of a complete.” The majesty of The Farewell’s boundless cultural empathy is its capability to toe these strains of cultural specificity whereas nonetheless feeling common.